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A friend of mine, Taylor, is currently living the life studying abroad in London. I’m pretty sure by now every reader is aware of my mad love for London and it’s art culture, and he’s been updating me occasionally on all the graffiti and art in the city.

Well this week, Taylor stopped by the Graffiti Tunnel that I wrote about this winter and made his own mark in LDN.

Check out low t’s tag in the black spray paint!

Taylor aka low t

I think the coolest thing about London art is how much it accepts street art. The Graffiti Tunnel is totally legal, so for the first time in… ever… it’s okay for my to post an artists name on here! Wow. Pretty big deal. Any person with some paint and an idea is encouraged to step up to the tunnel and make their mark. Make the world just a little bit more colorful, or interesting, or controversial. London is such an old, historic city, but it still finds a way to brighten up the world in a modern, fun way.

I totally respect this quote.

Another really interesting thing about Taylor’s work is how he simply stepped up to the plate and wrote over whatever he wanted to. Back when I was drawing in Philadelphia, writing over someone else’s tag or even coming near someone’s tag could start a full-on battle. But that’s the point of London’s Graffiti Tunnel. Just imagine how many amazing artists are lying beneath Taylor’s tag right now. It’s this tunnel of hidden history. Pretty breath-taking if I do say so myself.

This week in street art definitely made me miss London a whole lot more than I already did, but I can’t even think about leaving Philadelphia again: it’s baseball season!

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So I am back in my hometown of Mount Laurel for spring break for the next week and some change. It feels good to be here when I’m not in the middle of working or running around to one place or the next. I’m prepared to use these next ten days to see my friends, use my parents’ quesadilla maker to its fullest potential, and, most importantly, spend all day in my pajamas drifting in and out of naps while listening to Ricky Gervais’ podcasts.

A day full of monsoon winds and pouring rain landed me back in my room, digging through old pictures and boxes that I haven’t looked at since I went away to college. Besides finding my beloved childhood stuffed animal, Sparkles (I know the name is weird. I’m writing a blog about vandalism in Philadelphia, did you expect anything else?) I also stumbled on a whole handful of street art memories.

This. Is. Awesome.

These stickers, and the two buttons in the right corner, have to be at least three years old. We have here Ticky, UWP and Bob Will Reign stickers from back when I used to do sticker art back and Pluto was still a planet.

Ticky’s are, of course, the spazy little miniature stickers jumping all over the place in the picture. When Ticky made those she decided to be funny and stick them all over my parents’ basement when I wasn’t around. There is still one hiding there on a shelf that makes me laugh every time I see it.

UWP’s is the dark faces at the top of the photo. I think that one might be one of the first stickers he gave me. I know it was my job to stick them up whenever I was given them, but I was new at this, and so jealous of the quality and emotion that shone through in each piece. That sticker will always be one of my favorites

I remember when UWP gave me the Bob sticker in the left corner. I was in complete awe. When I drew, Ticky and UWP welcomed me in with open arms, but I never had the chance to meet the other greats, like Bob. Bob Will Reign was and still might be the most popular street artist in Philadelphia, so receiving one of his stickers was like getting a handshake from Paul McCartney in my book.

This scan was a gift from UWP for my seventeenth birthday. It’s a scan of a canvas he created, and it hung on my wall for years until my parents decided to renovate the house. It’s amazing how much drawing changes through the years. Many people wouldn’t be able to tell this was UWP if they looked at it today. Ya know, its just from my vintage art collection… don’t mean to brag or nothin’.

The sticker on the left was one I decided to leave out of my description. With good reason.

Ladies and gentleman, I would like to introduce you to Buda.

Buda was my own precious little character. If you can’t tell where I got the concept of him than you can just stop reading. I’ve collected Buddha statues for the last couple years and I just loved him and his little t-shirt.

This is a collab with UWP. He was clever enough to draw out Buda’s little hat and everything. It’s amazing how much more detailed and concise UWP is compared to Buda. At that time I had just started out, and was just drawing something to get out there and be seen. I actually took this collab and used it as a drawing guide for myself.

Here we have a color collab with an old school Ticky, Buda, and a friend of ours, Mousse. I don’t think Mousse still draws anymore, but he was just starting out around the same time I was. I wish the picture wasn’t so blurry, because I think this collab is completely hilarious. It reminds me of an old cartoon I used to watch on Friday nights when I was a kid: So wacky, colorful, and weird that you can’t help but find it adorable and interesting.

I think that’s another reason I love street art so much. How can you not look at these characters over and over again and not feel some sort of emotional attachment? Each character represents the artists personality so clearly, even if they aren’t trying to do that. It’s one of the most real art forms out there.

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Since I have been intrigued by stencils all week, I decided to make my own stencil, and show how it’s done.
A good stencil is done when there is no wind and when it is warm out. Cold weather freezes spray paint, and wind blows the spray paint away from whatever canvas you are working on. I got lucky with the sunny 50 degree weather today, but I was cursed when it came to the wind.

The first thing you have to worry about when it comes to stencils is supplies. The important things are spray paint, your stencil of choice, and your canvas. For this project I opted to buy a cheap, store brand spray paint from K-Mart that works on interior and exterior projects. Most street artists would not have to worry about interior paint, but because I was not working on brick, cement or wood, I needed something that would stick differently. For my canvas I chose a giant shoe box that I had in my room that was going to waste.

For my project I chose to do most of my work with store bought letter stencils. I have not made a stencil in years, and the last time I worked with an X-Acto knife I ended up with a pretty terrible gash in my leg, so I was a little hesitant to try my hand at anything detailed right away. I did, however draw a partial stencil, just for an example. The trickiest part to stencils, in my opinion, is perfecting the hollow or empty parts of letters and images. For example, when I drew my “P” stencil, I left a tail so that the center of the “P” wasn’t closed up when I cut it. Because it was so windy, I knew any center stencil I would have placed down would have blown away.

Hand-drawn stencils are similar to negative photographs. When drawing a stencil, the artist draws out all of the negative parts of their image, and cuts out the part that they want to paint. With multi-colored stencils, and artist has to layer their colors, and layer their drawings so that they all fit into each other. It’s almost like an artist’s puzzle piece.

It’s also important, when drawing a stencil, to make sure your lines are crisp and completely perfect. Any jumps or rough edges will show up on your project, and if you make a mistake when cutting out the stencil it is very difficult to fix.

My shoebox “canvas” needed to be prepped for the stencil. Street artists don’t have to worry about this step of their process, because the spray paint clings easily to brick, cement, concrete, wood, basically any outdoor surface. When working with a glossy surface, or a textured surface like a paint canvas, it important to prep your surface so that the stencil’s paint has something to cling to. If this step is skipped on indoor spray painting, an artist’s final work can bead up, or bleed, and look sloppy.

Once the white paint that I sprayed on the shoebox dried completely, it was time for me to start the stencils. My first mistake with this project was choosing the wrong medium to carve my stencil out of. A good stencil should be carved into a stiff surface, like cardboard or even wood, or it should have some sort of adhesive backing. Because I used flimsy cardstock, my stencil continued to raise off of the canvas. This results in spray paint blowing underneath the stencil and onto the white canvas. It didn’t help that the wind was blowing everything all over the place anyway.

When I raised my handmade stencil, it was a little sloppy, but not as bad as I would have thought. I did a bad job raising the stencil, however, and my nail scratched the top of the “P” leaving a bit white scratch. It’s nearly impossible for someone like me, who has had very little experience with stencils, to go back and fix a mistake like that, so I left it alone. I had also done a poor job of cutting a straight line along the outside of the letter, and I didn’t do the best of job at aiming the paint away from the stencil’s edges. But for an amateur in a very windy front yard, I think I did a pretty good job.

Once my first stencil dried I was set with the task of placing down my final letters. It is important to make sure the letters are placed evenly, with equal space in between each letter. One thing that is easy to miss is all the space between each letter, and if this is ignored your pictures or words can be spaced too far apart and not look cohesive. Like I said before, it is good for stencils to have an adhesive backing, so I used standard duct tape to stick my letters down onto the canvas. This also helped make sure everything was balanced before I sprayed them. After I layed down the letters, I also covered all of the white space with scraps of paper, so that the paint wouldn’t get into any blank spaces I didn’t want it to touch.

When everything was laid down and covered, I began spraying my black paint. When I spray paint, I make sure that I keep my hand about a foot away from the canvas. If not, the paint will come out too close to the canvas and make giant paint spots, which will run and look too dark. When spraying, I go evenly back and forth, with one consistent spray the whole time. If the paint is sprayed in little spots and not consistently the outcome will appear inconsistent. Once the whole thing is sprayed, I like to leave stencil on until the paint is dried. That way, if the paint is too heavy in certain places there are less of a chance that it will bleed out of the lines.

When peeling the stencil off of the dried canvas, it is important that you be careful of getting the adhesive stuck on the canvas, or ripping the canvas in anyway. If your tape or adhesive is too sticky it can pull off the base paint, like my white paint in my project. After all your hard work, that is the last thing you want to happen.

I peeled off all of the letters and…

Tada! I think it turned out pretty great, if I do say so myself. Considering the fact that the wind was making it almost impossible to get the paint to touch anything, and that I haven’t made a stencil in almost five years, I’m pretty proud.

I really love stencil art. The technique and planning it takes is really the most genius part about it, and I have to give some serious credit to any artist that can master such a difficult task.

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Last spring I spent five months studying abroad in London. Stephen Sondheim hit the nail on the head when he wrote “There’s no place like London”. Don’t get me wrong, I missed Philadelphia every day I was there, but London has its own magical, unforgettable personality that I will love for the rest of my life.

This spring it’s my boyfriend, Alex’s turn to head to London. The other day he stumbled across a really extraordinary selection of street art in a place he’s called the “Graffiti Tunnel”.

Personally, I’m not much of a fan of graffiti. Graffiti is a type of script writing spray painted onto walls, trains, basically anywhere with a flat surface. Street art is more dedicated to painting and drawing actual images. I believe that some people use graffiti the wrong way, with profanity, and sexual innuendos, and those people are what gives the entire idea of street art a bad name. Nothing makes me more mad than seeing a dirty word on a street and knowing that one day a child will see that same thing and have that idea of street art forever.

I was surprised, however, when I saw Alex’s pictures. The graffiti tunnel was really beautiful. The colors blended together so perfectly to light up the underground tunnel miraculously. I was really blown away.

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I caught up with my long-time friend, and the person who got me into street art so many years ago, Tick Tock, to talk about street art in Philly these days.

Painted Philly: What drew you to street art in Philly?

Tick Tock: “In art class, they fill your mind with rules and guidelines and force you to mimic past artists. I’m not saying that the past artists are not incredible, because they were. I’m saying that I could not stand that most art education is trying to teach a proper way to make art. There are no boundaries, the world is literally your canvas. Who says the back of stop signs need to be a blank sheet of metal? Who wants to look at that?

P.P: What made you decide to draw Tick Tock? Why Ticky/Tick Tock?

T.T: “My favorite thing in the world is small, goofy critters. When I started sketching out characters they all had the big bug-eyed look and some rodent teeth. There is definitely a bit of myself in them, considering they appear highly caffeinated, a bit strange, and slightly off mentally. I went with the name ‘Tick Tock’ originally because my brother (Under Water Pirates) and I used to speed-draw random things. Whenever he finished first he would taunt me with ‘tick tock, tick tock’ noises. It was actually friends and supporters in Philly who started referring to them as ‘Tickies’ for multiples, and then it just stuck. People started calling me ‘Ticky’.”

Courtesy: Tick Tock

P.P: Where else in the world has Ticky appeared ? I’m proud to say I helped bring Ticky to the United Kingdom a few years ago.

T.T: “Ticky has appeared all across the U.S. Many friends are to be thanked for that; I doubt there is an U.S. state lacking a colored rodent sticker. Ticky art has been displayed in shows in New York, Philadelphia, Miami, Los Angeles, and Phoenix, Dublin, London, and various cities in the U.K. There have also been photos of some loose stickers in South America, China, Switzerland, New Guinnea, Canada, Mexico, Brazil, Panama, Germany, and France.”

P.P: What else is there to street art besides stickers and newspaper boxes? What else should people look for in Philadelphia?

T.T: “Newspaper bins, signs, poles, doors, the ground, water pipes, subway signs, railings, there is no limit. If you are a fan of the art you see on the street, keep an eye out for fliers and posters. Chances are, those artists are exactly that: artists. Although the illegal form of art seems to be the major form of display, we do frequently have shows in galleries scattered from Old City to South Philly. Keeps your eyes peeled, kids.”

P.P: What types of media do you use for your street art?

T.T: “My paper shall remain secret. Sticky paper is obviously the best; if the back is sticky, I’ll use it. Wood and particle board are always great for a quick install. There is really no limit; you could paint a piece of cardboard and leave it on the sidewalk for someone to find and take home. I’m not big on spray paint in the street, but on canvas I really like Montana Gold. Its very easy to go over with other media, whereas other spray paints become tacky and resistant to ink.”

P.P: Who inspires you?

T.T: “I could rattle off some of the great names of street art that you probably are familiar with if you are reading this, but im going to be honest and hopefully not disappointing. My brother is my biggest inspiration. He got me into art in general. He himself is one of the best street artists in the world in my opinion. He is always encouraging me and inspiring me to do my best and if it werent for him I would not have improved as much as I feel that I have. He is the reason Ticky exists and he is the reason it will always exist.”

P.P: Have you ever gotten caught?

Courtesy: Tick Tock

T.T: “No.”

P.P: What does it take to be a good street artist in Philadelphia?

T.T: “You have to go into it knowing the risks, knowing what you are getting into and doing and most importantly, you have to have the right motive. It’s not a hobby, it’s a lifestyle. Success comes with determination and the right motives. If you want to send a message, get your point across, change your surroundings and hopefully spark a sense of creativity in the world, then yeah, kill it! If you are trying for success you are in the wrong feild.”

P.P: Where do you see your work, and Philadelphia street art in general, going in the future?

T.T: “Philly street art has suffered a huge decrease. Either the P.P.D. (Philadelphia Police Department) is doing their job well, or the ones who were hobbying for temporary popularity have finally died off. Philadelphia can add as many new cops on foot as they want, they can buff everything, but street art is never going to stop. It’s a movement, it’s a fixture in creative society. Art is art; it’s in our nature to express ourselves and nobody will take that away. It’s just inhumane. Hopefully Ticky will continue to inspire people and, hopefully, I would like to send ticky in the direction of toys. I think it suits them.”

Wanna see how she does it? Check out this tasty morsel!

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Here is a picture I took in the spring of 2008 in the Chelsea District of New York City:

Here is a picture taken from street artist Blek le Rat’s website from the spring of 2008:


On my photo there is nothing on the brick wall on the far left, but in Blek le Rat’s photograph there is a wheat pasting of a person running on that same brick wall. Blek le Rat is known as one of the first well-known street artists. The running person was part of a series of his titled “Migration”. Here I was standing in a spot where in maybe a few weeks, or a few days, or tomorrow, a legendary and world famous artist would make his mark. It’s amazing how quick and unpredictable this art-form is. Any day of the week, that plain old wall you walk past could become a work of beautiful art. It really makes me look at the world in a new way

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